This section provides a quick preview of questions from the document. It may not display every question or the complete wording of each one. For the full content, including diagrams, tables and other information, view the original PDF above.
Q1— Section header —
1.1Identify the type of design element that has the effect stated below
1.1.1This type of line is informal.
1.1.2This type of line is masculine and formal.
1.1.3This type of line is feminine.
1.1.4This is the most feminine shape.
1.1.5This type of line is restless.
1.1.6This shape is seldom used in table tops.
1.1.7This texture is elegant and luxurious.
1.1.8This texture creates a rustic, informal effect.
1.1.9This pattern creates a modern effect.
1.1.10
1.2Classify each of the following textile fibres as either a NATURAL, SYNTHETIC or REGENERATED fibre. Write only 'Natural', 'Synthetic' or 'Regenerated' next to the question number (1.2.1
1.2.15\in the ANSWER BOOK.
1.2.1Jute
1.2.2Silk
1.2.3Rayon
1.2.4Latex
1.2.5Nylon
1.2.6Wool
1.2.7Dacron
1.2.8Cotton
1.2.9Viscose
1.2.10Linen 10050324 Copyright reserved Please turn over
1.2.11Polyester
1.2.12Polyvinyl
1.2.13Polyurethane
1.2.14Hemp
1.2.15
1.3Indicate whether the following statements are TRUE or FALSE. Choose the answer and write only 'True' or 'False' next to the question number (1.3.1
1.3.18\the ANSWER BOOK.
1.3.1Dark colours allow walls to recede.
1.3.2Green is a tertiary colour.
1.3.3Tetrad colour schemes consist of three colours.
1.3.4A rough texture makes a colour appear darker than the swatch.
1.3.5Cream is a tint of yellow.
1.3.6Blue green and green are contrasting colours.
1.3.7he Prang colour wheel contains twelve hues
1.3.8Two primary colours are mixed to form a secondary colour.
1.3.9Blue and red mixed in equal amounts results in purple.
1.3.10Colour can be used to create balance in a room.
1.3.11White added to a colour makes the colour brighter.
1.3.12The Prang colour wheel con tains twelve colours.
1.3.13Staple fibres are short fibres.
1.3.14Yarns are woven together to form fibres.
1.3.15Slub yarns create an interesting texture in woven fabric.
1.3.16Natural fibres are stronger than synthetic fibres.
1.3.17A carpet is classified as a type of fabric.
1.3.18
1.4Name the following:
1.4.1FOUR types of scale (4\
1.4.2THREE ways of using repetition to introduce rhythm in a room (3\ [50] TOTAL SECTION A: 50 SECTION B50
Q2— Section header —
2.1Contemporary Classical Style is not an exact copy of the Ancient Greek and Roman Style. With r eferen ce to a contemporary classical lounge, answer the following questions:
2.1.1What lines are favoured? (6\
2.1.2What colours or colour schemes are typically used? (4\
2.1.3What type of balance is achieved? (1\
2.1.4What type of balance is required in terms of furniture layout? (9\
2.2.1Explain what is meant by an analogous colour scheme. (4\
2.2.2Suggest an analogous colour scheme for a orth facing dining room to a client, giving reasons for your choice. (6\
2.3Define texture in an interior. (5\
2.4Your client loves silk and dreams of silk curtains for her master bedroom. The large window faces north west.
2.4.1What are the qualities of silk? (6\
2.4.2What would you suggest for the curtains silk or a fibre blend? Give a reason for your answer. (2\
2.4.350
Q3— Section header —
3.1Your client has selected wallpaper with a dark green pattern for a small guest bedroom. She wants to apply the paper to three of the walls.
3.1.1Will the dark green colour make the room appear smaller than it is? (1\
3.1.2Explain your answer. (4\
3.1.3If the pattern runs diagonally, how will this affect the proportion of the room? (5\
3.2.1Explain how the Prang colour wheel is created. (6\
3.2.2What is the purpose of the Prang colour theory in decorating? (8\
3.3In an old age home curtain fabric can benefit from all the functional finishes.
3.3.1Name ALL SIX types of finishes. (6\
3.3.2Explain the advantage of each finish. (12\
3.4Harmony is an art principle, which is achieved by art element
3.4.1Give another word for harmony in an interior. (1\
3.4.2Name the elements used to achieve harmony. (7\ [50]50
Q4— Section header —
4.1Space cannot be created, but we can mould and change space to take advantage of its dynamic qualities.
4.1.1What can be done to create the illusion of more space? (10\
4.1.2How can a long, narrow room be manipulated to appear better proportioned? (12\
4.2You are intending to use a strip of wallpaper with a bold pattern behind the headboard in the master bedroom. This creates a focal point in the room.
4.2.1Evaluate the effectiveness of this focal point.
4.2.2Describe TWO other focal points that could compete with the focal point described above.
4.2.3
4.3he general rule in interiors is to use a small pattern in a small room o r on a small object.
4.3.1What impression does a very small pattern give? (1\
4.3.2Give an example of when the general rule mentioned above is broken very successfully. (3\
4.3.3What THREE things should be kept in mind when combining patterns? (3\
4.3.4The trend in tiles is to us Moroccan tiles. Explain why it is so effect ive. (3\
4.4.1How can one distinguish between dyeing and printing (5\
4.4.2Which of the THREE methods of printing is the most common approach for applying colour to fabric? (1\ [50] TOTAL SECTION B: GRAND TOTAL: 15050